The rectangular format of these works on paper allow the artist to work in a more traditional vocabulary, exploring spatial relationships within each piece
The artist uses the acrylic medium to combine surfaces ranging from thin, watercolor-like layers of paint to heavy impasto.
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- Nacional Dream, 24″ x 30″
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- Milano Laundry, 30″ x 40″
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- View from Fusters, 24″ x 30″
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- Vedado House, 22″ x 30″
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- Cuban Statehouse, 22″ x30″
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- 21st and M, 30″ x 22″
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- Havana Upward Bound, 30″ x 22″
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- Havana Window, 30″ x 22″
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- Neptuno St., 40″ x 26″
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- Cuban Stairs III, 40″ x 26″
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- La Guarida Maid, 22″ x 30″
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- Concordia Staircase, 30″ x 22″
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- Banana Tree, 22″ x 30″
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- Construction Site, 30″ x 40″
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- Cuban Maize, 22″ x 30″
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- Last Stand, 30″ x 40″, Collection of Jack Love and Colleen Conley
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- Protective Marti, 24″ x 30″
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- Reflective Marti, 30″ x 40″
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- Marti Overlooking the Sea, 22″ x 30″
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- Art Deco Marti, 30″ x 22″
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- Daytime Supervielle, 30″ x 22″
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- Nighttime Supervielle, 30″ x 22″
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- Profile Supervielle, 30″ x 22″
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- 18th Century Hero, 30″ x 22″
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- Arias, 30″ x 22″
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- Arias Sentinel, 30″ x 22″
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- Malacon Sunrise, 22″ x 30″, Collection Beverly Mortensen
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- Seeking Marti, 30″ x 22″
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- Waiting, 26″ x 40
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- Vancouver Alley, 30″ x 22″
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- Undergrowth, 30″ x 40″
